- #Oddisee the good fight zip for mac
- #Oddisee the good fight zip update
Has-Lo - 'Last Day of School' from Conversation B (2011). Trek Life - 'Get in Touch' and 'Wouldn't Change Nothing' from Wouldn't Change Nothing (2011). Georgia Anne Muldrow & Declaime - 'Get Up Gogo' from Heaven or Hell (2010). Trek Life - 'Ready to Live', 'Still Never Rains', 'As the World Turns', 'Everything Changed Nothing', “Wow', 'Due West', 'So Supreme', 'I'd Rather Be', 'So LA', 'Jump Out There', and 'Might Sound Crazy' from Everything Changed Nothing (2010). Verbal Kent - 'In the Beginning' from Save Your Friends (2010). Sareem Poems - 'Tell It' and 'She So' from Black and Read All Over (2009). J-Live - 'Aaw Yeah' from The Hear After (2005). Apollo Brown - 'What You Were Lookin' For' from Grandeur (2015). Soulpete - 'Rhymes on Random' from Soul Raw (2014). 20syl - 'Ongoing Thing' from Motifs (2014). Eric Lau - 'Rise Up' from One of Many (2013). Trek Life - 'We Good' from Hometown Foreigner (2013). Trek Life - 'Might Sound Crazy' from Wouldn't Change Nothing (2011). DTMD - 'Been Tryin' from Makin' Dollas (2011). Apollo Brown - 'The Times' from Clouds (2011). B-Doub - 'All in a Days Work' from Food for Thought (2010). 
#Oddisee the good fight zip update
JR & PH7 - 'Hustle and Flow' from The Update (2010). Apollo Brown - 'Lower the Boom' and 'Propa' from The Reset (2010). SoulStice & Sbe - 'Unfold' from Beyond Borders (2009). 
J-Live - 'The Upgrade' from Then What Happened? (2008). Marco Polo - 'Low Budget Allstars' from Port Authority (2007). SoulStice - 'Get It Right' from Dead Letter Perfect (2007). Kenn Starr - 'Nothing But Time' from Starr Status (2006). 
The Foreign Exchange - 'The Answer' from Connected (2004). DJ Jazzy Jeff - 'Musik Lounge' from The Magnificent (2002). 'Lost Cause' (2014) (with YU and Uptown XO, as Diamond District). 'Show You' b/w 'Part of the World' (2006) (with Heralds of Change). March on Washington (2014) (with YU and Uptown XO, as Diamond District). In the Ruff (2009) (with YU and Uptown XO, as Diamond District). He stated that these rappers don't talk about drugs or murder, and he could relate more to their lyrics. & Rakim, De La Soul, and A Tribe Called Quest. In an interview with NPR, he explained why he was influenced by early East Coast emcees such as Eric B. If she can mold the musical aspects of Act II smoothly into the forthright and upbeat nature of Act I, I think Anna Wise can bounce off the heels of these two EP’s (and her contributions on DAMN.), into one of the biggest darker-pop singers of today.Oddisee was originally influenced by his parents' heritages, combined with a hip hop influence from his older cousins. The pathos following the ethos, if you will.Īct II might not be as much of protest music as Act I was, and tracks like “Stacking that Paper” and “Self on Fire” seem to lean towards the worst possibility for Anna Wise’s direction to go into moving forwards, but on Act I, Wise presents some of the most enjoyable, poignant and pressing musical material on women’s issues of the past decade. If The Feminine: Act I was the declaration, then Act II is the conversation. It doesn’t have the “oh shit” quality that the chorus of “BitchSlut” presented, but tracks like “Coconuts” offer similar messages to a less overtly angry attitude of delivery. Her second effort, Act II, however, is way less direct, though more musically diverse. #Oddisee the good fight zip for mac
With the platform she needed, Anna tackles the issues of gender equality and female empowerment on her official debut, The Feminine: Act I and the follow-up Act II. Channeling the melancholy-pop of contemporaries such as Lana Del Rey, Melanie Martinez, and Lorde, Anna Wise has utilized the emerging style to incorporate more of a message into her music than say, Lana’s recent “Lust for Life.” The Feminine isn’t just a title like it is for Mac Miller or simply a platform for templated club music to rest on however, but a full-on assault on a very important issue in society through the lens of the most accessible genre in music today: pop.Īnna isn’t tip-toeing around anything, as the seven-track EP tackles issues such as the image of women as fragile property on “Precious Possession,” the double-standard of women’s sexuality on “BitchSlut,” the ugly truth of catcalling on “What Would You Call a Dog?,” and the differences in both beauty standards and paychecks for women on “Decrease My Waist, Increase My Wage.” Despite the blunt and no bullshit lyrical material however, the music is anything but, though with some darker qualities looming over the otherwise Katy Perry-ready dance anthems. If you listen to Kendrick Lamar, then you’ve heard Anna Wise, a backing vocalist and touring singer for Kendrick’s past three records.
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